Plutonic Rainbows

Kelly Lee Owens - Self Titled

Haunting debut album from Kelly Lee Owens, brimming with ethereal, floating vocals and almost sensual European house & techno. She has previous worked with Jenny Havl and Daniel Avery and they both appear on this album too.

A striking new album that deserves attention for the dizzying set of styles apparent on this debut piece. It's available as a digital download in the usual places and on Audio CD and vinyl as well.

Totally recommended listening.

College - Shanghai

College is the alias of David Grellier, a French electronic artist who contributed one of his songs on the soundtrack to Nicolas Winding Refn’s 2011 film Drive.

The album is a collection of film scores that are highly evocative - so much so that listening to these tracks, I kept wishing for some visual accompaniment. There are lots of slow-moving synth pads and plenty of space around them for the listener to fill in the gaps. Many of the tracks draw on 90s sounds in the fashion of Mark Snow and Angelo Badalamenti.

Shanghai is available on Audio CD in addition to vinyl from the Invada label.

Ryuichi Sakamoto - async

Long-awaited album from this esteemed electronic artist. The tracks on the new album have an electro-acoustic feel and carry with them a ghostly melancholy that is always just out of reach.

Bleep Records:

The key to Sakamoto's genius lies in his ability to transform the sounds of his instruments into objects that sound like they are being transmitted from some far off land, from the Monolake rebreather style heart beat of Zure through the haunted rainfall that cloaks the late night wonderings of Walker, the sounds within async are further testament if any were needed of the acute musical genius of Sakamoto.

The new album is available on vinyl as well as Audio CD and 24Bit 96kHz digital from Japanese site, Ototoy.

Séigén Ono - Seigén

This album dates all the way back to 1984. Despite that, I've only just got around to listening to it. It's a pleasant enough collection of strings and jazz that caused quite a stir back in the day. During the early 1980s, this would have appeared in many stores under the New Age banner. I remember seeing it mentioned in many magazines of the day as an essential album for relaxation and so forth. In many way, it really was a different world back then.

It also became a staple for the Japanese fashion house, Comme des Garçons - who used various works by the artist for their runway shows. Séigén Ono went on to compose albums of music specifically for the shows.

In truth, this album falls in with the Windham Hill collection and sounds a lot like George Winston and other artists of that era. Gentle piano appears on 'Manhattan' and although not typical of the album as a whole, it's a pleasant piece.

These days, albums like Seigén are largely forgotten but often find a new if somewhat strange after-life in the Vaporwave genre.

Seigén is available on Audio CD as a Japanese Import.

Aaron Dilloway - The Gag File

Aaron Dilloway is an artist still very new to me. He is also someone who has seemingly no understanding of, or interest in, the supposed limits of experimental music.

The Gag File his first new album since Modern Jester in 2012 is an abstract, visceral selection of experimental electronics and vocal manipulations that make for uneasy listening.

I don't really know what to make of The Gag File but absolutely nothing on this record is typical or expected.

You can pick up the vinyl from Bleep and digital editions are available from the artist's Bandcamp page.