April 27, 2017
Brand new three-track EP from Lone sees him continue to develop his own style. Crush Mood takes its cues from 90s rave while From A Past Life traverses darker terrain in a more satisfying way than elsewhere on this release.
You can order the new EP from most specialist retailers including Bleep & Bandcamp.
April 26, 2017
Bleep Records:
His first music since the release of his 7th album, Bibio hooks up with collaborator, Olivier St. Louis (Olivier Daysoul) for an EP brim filled with discoed delights and funky flecked rhythms. The title is tongue in cheek of sorts, with the lyrical content covering confused loves, blurred lines, unnecessary stresses and lonely nights. Serious only in the feat of love. The terrifically groovy guitar playing is the highlight of ‘Why So Serious’ though it is almost equally matched by St. Louis’ excellent vocal delivery, which glides from a pained whisper to a wailing chanteuse in seconds.
April 25, 2017
Renowned science fiction writer will publish a new book, Agency next January. It will serve as both a sequel and prequel to his last novel, The Peripheral.
New York Times:
William Gibson’s science fiction is so eerily prophetic that sometimes it seems as if he’s creating the future, not just imagining it.
He coined the word “cyberspace” and popularized the concept through his 1984 debut novel, “Neuromancer,” well before the internet transformed human communication and daily life. He was crowned a prophet of the information age and has been credited with foreseeing the ways technology shapes our identity, and the rise of reality television and technological innovations like Google Glass.
But last fall, Mr. Gibson’s predictive abilities failed him. Like so many others, he never imagined that Donald J. Trump would prevail in the 2016 election. On Nov. 9, he woke up feeling as if he were living in an alternate reality. “It was a really weird and powerful sensation,” he said.
Most people who were stunned by the outcome managed to shake off the surreal feeling. But being a science fiction writer, Mr. Gibson, 69, decided to explore it.
The result is “Agency,” Mr. Gibson’s next novel, which Berkley will publish in January. The story unfolds in two timelines: San Francisco in 2017, in an alternate time track where Hillary Clinton won the election and Mr. Trump’s political ambitions were thwarted, and London in the 22nd century, after decades of cataclysmic events have killed 80 percent of humanity. In the present-day San Francisco setting, a shadowy start-up hires a young woman named Verity to test a new product: a “cross-platform personal avatar” that was developed by the military as a form of artificial intelligence. Meanwhile, characters in the distant future are interfering with the events unfolding in 2017, through technological time travel that allows them to send digital communications to the past.
For the most part, people living under President Clinton carry on as if nothing unusual has occurred. “The characters in the book are scarcely aware of the broader political landscape,” Mr. Gibson said. “No one ever says, ‘Thank God we’re not in that other time track.’”
In some ways, “Agency” functions as both a sequel and a prequel to Mr. Gibson’s noirish 2014 novel, “The Peripheral,”set partly in the same futuristic, postapocalyptic London, after the world has been devastated by climate change, droughts, famines and political chaos. The novel’s plot also hinges on technological time travel, which enables people from the future to alter past events and create a “stub,” or an alternate time track.
Mr. Gibson never set out to write a sequel, but the plots of “Agency” and “The Peripheral” converged unexpectedly last fall. He had spent about a year writing “Agency” when the 2016 election rendered the fictional world he had created obsolete. “I assumed that if Trump won, I’d be able to shift a few things and continue to tell my story,” he said. But when he tried tinkering with the draft, he realized that the world had changed too drastically for him to plausibly salvage the story. “It was immediately obvious to me that there had been some fundamental shift and I would have to rebuild the whole thing,” he said.
He changed the framework by resurrecting the time-travel mechanism he created in “The Peripheral” and making the world in which Mrs. Clinton won the presidency a stub, an alternate branch of reality created by a meddling time traveler.
Perhaps not surprisingly, given his grim vision of the future, Mr. Gibson tries to shrug off the prophet label. He’d rather not be called a prescient visionary.
“Every imaginary future ever written is about the time it was written in,” he said. “People talk about science fiction’s predictive possibilities, but that’s a byproduct. It’s all really about now.”
There is no pre-order page yet but I imagine it will appear in the next few months.
April 23, 2017
New release from Kompakt. Gas has crafted an album of droning, mounting dread mixed with symphonic reveries that take the listener away to other worlds.
As an ambient album, it's okay but I found my attention wandering during the latter half with some pieces being too long and unmemorable.
It's available on Audio CD and vinyl but it's pricey, I think.
April 22, 2017
Kraftwerk release a new box set featuring all eight of their albums (again). This time, it's live 3-D multi-media performances from around the world. Available on May 27th.
Personally I do wish they would have spent the last ten years writing new material instead of endless re-issues. Honestly, is there any point to more of the same? Fans will likely disagree.
The new (old) albums are available in a variety of formats below.