Plutonic Rainbows

AI Reflections and 2026 Predictions

2025 has been a transformative year for artificial intelligence. We witnessed the emergence of reasoning models like o1 and o3, which demonstrated genuine problem-solving capabilities rather than mere pattern matching. Claude gained the ability to use computers autonomously, DeepSeek proved that frontier-level performance could be achieved on modest budgets, and AI coding assistants became genuinely useful collaborators rather than autocomplete on steroids. The rapid iteration between OpenAI, Anthropic, Google, and emerging players created an almost dizzying pace of advancement, with each month bringing capabilities that would have seemed implausible just a year prior.

Looking ahead to 2026, I expect AI agents to finally deliver on their long-promised potential. We'll likely see models that can reliably execute multi-step tasks over extended periods — managing projects, conducting research, and handling complex workflows with minimal human intervention. The cost of inference will continue to plummet, making sophisticated AI accessible for personal use cases that previously seemed economically absurd. More intriguingly, I suspect we'll witness the first serious applications of AI in scientific discovery: not just analysing data, but formulating hypotheses and designing experiments. The question is no longer whether AI will reshape how we work and create, but how quickly we can adapt to the new landscape it's building.

Perhaps most fascinating is how the conversation around AI has matured. The early hype cycles have given way to more nuanced discussions about capability, safety, and societal integration. We're beginning to understand that the path forward isn't about replacing human judgment but augmenting it — creating tools that extend our cognitive reach while preserving the creativity and intuition that remain distinctly human. As we enter 2026, the organisations and individuals who thrive will be those who learn to work with these systems fluidly, treating them as capable collaborators rather than either infallible oracles or mere toys.

2026 Munich Hifi Show Predictions

With the 2026 Munich High End show on the horizon, I find myself increasingly excited about what promises to be one of the most significant gatherings in the audio industry's calendar. After last year's remarkable comeback post-pandemic, my expectations are running high. I've been hearing whispers about breakthrough Class D amplification technologies that could finally bridge the gap between efficiency and sonic purity, and I'm particularly intrigued by reports that several heritage brands are preparing flagship turntable releases incorporating advanced materials science and precision engineering never before seen at this price point. I'm also watching the streaming sector closely — rumours of lossless audio partnerships and proprietary room correction algorithms suggest we might need to rethink how we approach digital playback in high-end systems.

What I find most intriguing are the persistent rumours of collaborations between traditional hi-fi manufacturers and companies from adjacent industries — I'm imagining aerospace-grade materials in speaker cabinets and automotive engineering principles applied to vibration control. The Munich show has always been a bellwether for where the industry is heading, and I suspect 2026 will challenge my assumptions about what constitutes state-of-the-art audio reproduction. Whether these predictions materialise or the show surprises me with entirely unexpected innovations, one thing I'm certain of: Munich in May will once again be the place where the future of high-fidelity audio reveals itself to the world.

Dior Cuir Saddle

I've been eager to explore Francis Kurkdjian's latest addition to La Collection Privée, which takes its inspiration from one of Dior's most iconic fashion pieces: the Saddle bag, originally designed by John Galliano in the early 2000s. What strikes me immediately is how Cuir Saddle deliberately subverts my expectations of what a leather fragrance should be. Rather than pursuing the heavy, smoky, tar-like qualities that define traditional leather compositions, Kurkdjian has softened and relaxed the structure into something closer to supple suede. I find the result fascinating — it blends conventional pyrogenated leather notes with a musky, creamy floral cloud and modern ambered woods, creating a scent that feels both tenacious and unexpectedly light, sensual yet approachable.

I should note this isn't Dior's first attempt at capturing the essence of fine leather goods in a bottle — I remember François Demachy's discontinued Cuir Cannage from 2014, which explored similar territory. But Cuir Saddle feels to me like a more refined evolution, one that acknowledges the codes of classic leather perfumery while steering them in a contemporary direction. Available as an Eau de Parfum starting at $220, it arrives in the signature cylindrical Collection Privée flacon accompanied by an elegant leather sheath that echoes the design language of its namesake bag. For those of us who find traditional leather fragrances too assertive, this softer interpretation might be precisely what I've been missing from the genre.

Sultan Pasha

Reading reviews on the Extrait De Parfum editions that were released a few months ago.

Flux.2 Training

So it turns out that I have to retrain images using the Flux.2 training model — this is in order to create loras that can be used with Flux.2 [dev].