Coming towards the end of January. A cold day with no sunshine at all. It put me
in the mood for two films I have never seen.
The first, The Reflecting Skin, is a 1990
coming-of-age horror film written and directed by Philip Ridley, starring Jeremy
Cooper, Viggo Mortensen and Lindsay Duncan. Set in 1950s rural Idaho, it follows
an impressionable young boy who becomes convinced that a neighbouring widow is a
vampire responsible for several unexplained disappearances. Described by Ridley
as a “mythical interpretation” of childhood, the film weaves together elements
of vampirism, surrealism, black comedy, symbolism and religious zealotry
throughout its narrative.
The second movie is Twilight, a 1990 Hungarian
black-and-white drama directed by György Fehér. Drawing on elements from
Friedrich Dürrenmatt’s novel The Pledge, it follows an ageing detective who
becomes fixated on finding the murderer of a young girl in a remote, desolate
landscape. The film’s slow, atmospheric style and sparse dialogue emphasise the
detective’s mounting obsession, highlighting the moral tensions that arise from
his unyielding pursuit of justice.