Plutonic Rainbows

Ash, directed by Flying Lotus, is a bold and atmospheric sci-fi thriller that blurs the line between horror and psychological mystery. The film opens with astronaut Riya (Eiza González) waking up on a distant research station to find her entire crew gruesomely murdered, her memory in disarray, and a strange life force haunting the facility. As she attempts to make sense of the chaos, her isolation is broken by Brion (Aaron Paul), a fellow astronaut who answers her distress signal. Their uneasy reunion stirs up more questions than answers, as the film skillfully cultivates paranoia and distrust between its two leads.

Eiza González delivers a gripping and vulnerable performance, grounding the film’s surreal tone with emotional authenticity. Her chemistry with Aaron Paul adds dramatic tension, especially as their characters grapple with fragmented truths and personal histories. Flying Lotus, known for his musical innovation, brings a visually stunning and sonically immersive style to the screen, drenched in neon and laced with dread. The cinematography, sound design, and pacing draw clear inspiration from sci-fi staples like Blade Runner 2049 and Event Horizon, yet the film never feels like a copy — it embraces its influences while carving its own strange, cerebral path.

Though it leans into familiar genre tropes, Ash stands out for its ambition and commitment to mood over exposition. It explores themes of memory, identity, and the fragility of perception in the face of cosmic horror. Some viewers may find its narrative elliptical or its visuals overpowering, but that’s part of the film’s unique allure. Flying Lotus doesn’t aim for mainstream clarity; instead, he crafts a haunting, hypnotic experience that lingers in the mind. Ash isn’t just a film — it’s a plunge into the eerie unknown, where nothing can be trusted, not even yourself.